“Untitled” (Portrait of Ross in L.A.)

A recent post on MetaFilter leapt out at me, reminding me of a very moving experience I had at the National Portrait Gallery in DC, over a decade ago.

The piece was entitled “Untitled” (Portrait of Ross in L.A.), and was part of an exhibit called “Hide/Seek: Difference and Desire in American Portraiture.”

My first thought on seeing the pile of candy was dismissive. But then I read the placard, and that completely changed my attitude and point of view in a matter of moments. The placard read:

Even as a minimalist, Felix Gonzalez-Torres also had a whimsical, humanistic side that showed the influence of pop art on his installations. In this “portrait” of his deceased partner, Ross Laycock, Gonzalez-Torres created a spill of candies that approximated Ross’s weight (175 lbs.) when he was healthy.

Viewers are invited to take away a candy until the mound gradually disappears; it is then replenished, and the cycle of life and death continues.

While Gonzalez-Torres wanted the viewer/participant to partake of the sweetness of his own relationship with ross, the candy spill also works as an act of communion. More darkly, the steadily diminishing pile of cheerfully wrapped candies shows the dissolution of the gay community as society ignored the AIDS epidemic.

I was afraid at first to take a piece of the candy, thinking someone would see me and yell at me. But I was participating in the way the artist intended, and the whole experience was just incredibly moving.

At the time, I just saw the pieces and didn’t pay much attention to the artist’s name. Many, many years later, when I was exploring museums in Chicago… I came across Gonzalez-Torres again, unexpectedly. And realized/remembered it was his work at the National Portrait Gallery that had moved me so much.

I’m not a big art person. But I’ve found myself enjoying modern art expressly for these moments that truly resonate with me. There is a lot of modern art (a majority?) that I don’t connect with at all, that strikes me as indulgent or too self-focused. But the moments that touch me are what bring me back, that make me turn the next corner to see the next piece.

I’d dare say that Gonzalez-Torres’ Portrait of Ross in LA is a foundational moment/memory for me. And something that spurs me to want to look at more modern art. And it was a lovely reminder to find his name on MetaFilter randomly. To once again chance across his work, by accident.

Related:
A Vacation Day in Chicago: Visiting the MCA, Art Institute, and Wandering Downtown
First Day in DC

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